2. I am very slowly beginning to tackle the backlog of Stuff I Kept Putting Off While Studying; this week has been all about the clothes / fabric. I have assorted piles of worn-out clothes and out-grown clothes accumulating around my room. I pulled out all the actually worn-out stuff, and bagged that up to go to recycling. I bagged up two sets of bedding we never use for the charity shop. I bought myself some underwear that doesn't have holes in, and added all the ones that did to the recycling bags, along with my oldest & least useful bras. I sorted through my socks, and chucked a good few pairs in the recycling bags, and a few others into the charity bag. Finally I ended up sorting through my stash of pretty scarves and wraps and kept only the ones that I really love and may actually wear more than once a year. (I sort of aspire to be someone who routinely wears pretty scarves etc but in practice I am never that put-together very often.)
3. I took the charity bag to the EACH shop, and came back with a very shiny pair of not!DMs and a metallic blue stripey hat. (Amusingly, I had been whinging this week about needing new shoes for winter, and hating shoe shopping, so that was very well timed.)
4. Last Saturday I watched Robocop with fanf . He was inspired by this post (linked by andrewducker ), and I'd never previously watched it - not on purpose, just never got round to it. It's very very Paul Verhoeven isn't it? Gratuitious mixed-sex shower scene, gory violence, horrible-future-media & horrible-future-adverts. Although my reaction to the project manager with the huge glasses was a. love those glasses b. you are really enjoying imagining watsisface having his hand broken c. please tell me watsisface dies horribly after forcing a kiss on you and taking credit for your work (spoiler - he does). Watsisface really is a walking example of the unwarranted confidence of the mediocre white man.
5. Nicholas saw Trolls at holiday/after school clubs and asked for his own copy. It's not awful, and I like the music, but after sitting through it with him three times in less than a week, I think I have had enough of it for now. The trailers on it include Home (based on The True Meaning of Smekday) which I've been meaning to watch, and Nicholas is keen to do so too, so hopefully I'll enjoy that more.
Yesterday andrew ducker's links got me addicted to this little game. Each level is a screen with some roads coming in and some going out, and you need to join them up so the traffic can flow freely. Some connections need high traffic and need direct connections. Sometimes there's small or medium levels of traffic but lots of connections.
It's really cute how the separate screens join together to make a city with coast and mountains and houses and industrial areas. When you do all the levels in the initial 3x3 grid it expands to 5x5, then 7x7. And maybe further, I don't know.
I don't really understand the score, it clearly correlates with how good the network is, but I don't know exactly what contributes to it.
It makes some real-world motorway engineering make more sense. There's lots of situations where roundabouts work really well. Sometimes there's a couple of really busy routes which need direct connections, but then everything else just needs to be connected *at all* so you can use normal cross-roads with no flyovers at all.
Some things are bizarre. Who designed this city so SOME roads drive on the left and some on the right?
A few of the screens have a menu item to open an aerial picture of a real-world junction with similar connections and see if you came to the same sort of solution. One was a diamond interchange, with a moderate traffic road crossing a high traffic road. Another was two low-traffic roads crossing, in the middle of some fields somewhere.
There doesn't seem to be an "undo" button, am I missing something? That's realistic for working with concrete, but with the interface so clunky it would be really nice.
Edit: Also, there's a directory called save but I can't find any option to save which disinclines me to play again. Anyone know where it's hidden?
Dear Northampton Partnership Homes,
If you are going to threaten me with legal action if I don't telephone you, you could at least make your hold system actually useful by giving me SOME KIND OF BLOODY IDEA whether I'm going to be waiting five minutes or twenty-five.
Actually read this week:
- Smile by Emilee Martell (DSF)
- Farewell, Amanda by Buzz Dixon (DSF)
- Planet of the five rings by Marissa Lingen (Nature Futures)
- An Averted Tragedy by Brian Gene Olson
- Contractual Obligations by Jessica M. Kormos
- Nothing Between the Stars by R.W.W. Greene
What I've read: long fiction
Banishment by M.C. Beaton, which is the first of six apparently-fluffy Regency romances about six beautiful sisters and a malevolent stately home, recommended as a Yuletide fandom (thanks ceb for the pointer!) This one was indeed the promised fast, lighthearted read, in which the family lose their beautiful stately home and much of their wealth, and (some of them) begin to learn Important Lessons About Not Being Awful To Other People. And the first of the beautiful daughters finds true love, etc. The remaining five in the series are now on their way so I can find out just how malevolent the house gets ...
Now, I think I was completely wrong. I think that when you put the battery in, it *always* comes on. I just assumed that it would usually be off and didn't actually check that was true. So I got the impression it was lit *sometimes* on battery-connect, and connected that to the state it had before the battery was removed.
Wow, it's really easy to manufacture evidence for something even when you think you're avoiding that.
Presumably the "power on lit" is so that loose connections don't turn it off. OTOH, that would mean if it has a loose connection when it's being carried about, it might come on and drain the battery. Or maybe no-one thought about it and this just happened to be the case. Or maybe there's a regulation? I don't know.
( last days )
I started my new job the following Monday. I need to work out how much I should talk about that in detail here; for one thing it's looking to involve somewhat more blogging and social media presence as my professional persona than the old job did. Also I am still adjusting to living in Cambridge full time, which is probably another post, and I'm up to my eyes preparing for the High Holy Days beginning on Wednesday, so I am going to stick with posting about leaving rather than about arriving for now.
Coláiste Lurgan (Lurgan College) is an Irish-language summer school in Connemara; it has a musical project called TG Lurgan which does lots of brilliant translated covers. Here are a couple, worth watching even if you have little or no Irish 'cause they're obviously having such a good time with it!( videos )
(I'd run across them before, but eyebrowsofpower reminded me of them today.)
Turns Hammond too had been taken prisoner in Italy, and almost certainly was suffering from PTSD as a result of his experiences in the POW & labour camps. And the Who Do You Think You Are? magazine (which 1ngi takes for her genealogical research) had some hints for chasing up similar stories.
So, well, I had to do that. And this is what I learned.
My grandfather was with the 2nd Battalion of the North Staffs during the Battle of Anzio. Anzio, if you've not heard of it before, was probably the biggest Allied cock-up of the war. From the small, personal perspective, the 2nd North Staffs were at the forefront and lost 323 men capturing a ridge which they were unable to hold because their ammunition supply was exhausted.
"Unable to hold" means many were taken prisoner. I don't know how many, but I'm guessing from the list which includes my grandfather's name that it was at least 50. That would be about half the battalion taken out in one day.
I don't know what happened to my grandfather in the immediate aftermath—that's going to take a lot more digging to try and find records. But I do know that he wound up in Altengrabow along with 60,000 other POWs. And that leads to the one piece of information I'd had passed down which is missing from these accounts: at the end, the Commandandt, having arranged for the Americans to evacuate the camp, took his own men and departed the scene.
I'm sure my grandfather was traumatised by his experiences in the camps, just as Harry Hammond was. But more traumatic, I feel, would have been that day on the Italian coast when so many of his comrades fell.
And it's a matter of culture whether it's "when you check out code, you often need to make clean or make undepend somewhere to get it to compile" or "when you check in code, you need to find a workaround to make it build cleanly even if you've removed files".
Do people with more recent build tools than "make" avoid this problem?
However, after thinking it through carefully I eventually decided on one of the ways to makefiles cope with this correctly.
You still do "-include $(OBJ_FILES:%.c=%.d)" or equivalent.
But when you produce a .d file with gcc (usually as a side effect of producing a .o file via -MMD), add an extra line at the end of the recipe, a perl script which edits the .d file in-place and replaces each "filename.o: header1.h header2.h..." with "filename.o $(wildcard: header1.h header2.h...)"
That way, if any dependency has *changed* a rebuild is forced as normal. But only dependencies that actually exist become dependencies within the makefile. (Deleting a header file doesn't trigger a rebuild, but it doesn't with the old system either since the .o file already exists.)
I can share the exact script if anyone wants to see.
There's lots of things I love, things like webcomics and webfiction which might deserve attention. I eventually chose three I thought would make good stories.
Elements (experiments in character design), the tarot-like cards showing a character for each chemical element. They're just so pretty, each looks like it tells a story. I was sad the physical cards seemed to be sold out and never for sale. They were nominated two years ago, and I was sad to see not last year.
And two webcomics, Leftover Soup (from Tailsteak, the author of the awesome 1/0, ooh, maybe I should submit that instead), and YAFGC (Yet Another Fantasy Gamer Comic, like Oglaf, very not safe for work, but sort of in a surprisingly wholesome way).
Did other people manage to nominate things?
I am also basking in the disconcertingly competent assumption that, I expect to be able to, just get a story done, without a whole lot of putting it off. I'm not at all used to signing up to something with a deadline and not assuming I'll panic but it's worth it!
I looked at my notes from last year for "what might I be interested in nominating next year". It was mostly the same sorts of things. Although one was, "Steven Universe, if it doesn't exceed the limit of number of works", I guess that must have happened now :) Although I find it really hard to predict. I went to look up Vorkosigan, the universe I was surprised was still eligible when I wrote for it two years ago, and it looks like there's more than a 1000 fics on ao3 from before that, am I misremembering how eligibility/search works?
- author:alex harper,
- author:becky chambers,
- author:brian francis slattery,
- author:c e murphy,
- author:constance handstedt,
- author:jamie lackey,
- author:kelvin river,
- author:lina rather,
- author:lois mcmaster bujold,
- author:margaret dunlap,
- author:marissa lingen,
- author:max gladstone,
- author:mur lafferty,
- author:pepper trail,
- author:rose lerner,
- author:stewart c baker,
- books:reading wednesday:2017
What I've read: poetry
I Speed Toward The Moon by Constance Hanstedt
At The Forestry Institute, Hanoi by Pepper Trail
Father Son Haiku by Kelvin River
Fallers by Alex Harper
What I've read: short stories
The Family Ghost by Jamie Lackey
Vervain, Grasshopper, Sun by Marissa Lingen
The Thing About Heisenball by Stewart C. Baker
Last Long Night by Lina Rather
While we were in Helsinki I noticed that Lois McMaster Bujold had another Penric novella out - and that it was in the middle of the existing novellas so she'd renumbered the series. I enjoyed it very much, both for the plot in itself and for the additional worldbuilding about the shamanic and sorcerous magic systems. Then I reread my way through the entire series:
Penric and the Shaman
Mira's Last Dance
What I've read: long fiction
Bookburners: Season 1 by Max Gladstone, Margaret Dunlap, Mur Lafferty and Brian Francis Slattery. If I'd read this as it was published weekly at Serial Box, I'd probably have listed each episode up in the short-fiction section. Instead I read one collected ebook with all 16 episodes. A New York police officer ends up getting drawn into a secret society of magical book collectors operating out of the Vatican, and joins the team in hopes of helping her brother. The overall arc plot gets resolved satisfyingly while leaving an opening for more, and I note that Series 3 is currently unfolding on Serial Box.
I finally read A Long Way to a Small Angry Planet by Becky Chambers and found it pleasant enough but less amazing than some of the hype had led me to believe. It's a good found-family series of minor adventures (in fact, in that sense it reminds me quite a bit of Bookburners) and I'm glad I've read it and will happily read more by Becky Chambers. But it didn't grab me in the way that e.g. Ancillary Justice or All Systems Red did.
Bewitching Benedict by C.E. Murphy came out last week. It's a historical-romance comedy of manners, which I really enjoyed, especially the grand farcical climax. I am hoping it does well so that the author feels like writing the books to pair off the rest of the eligible bachelors she's introduced here.
Listen to the Moon by Rose Lerner is another in her Lively St Lemeston series, this time focusing on a valet and a housemaid who have lost their jobs due to events in the previous books. There's a good job for both of them in the local rectory, but the vicar insists he only wants a married couple in post. Luckily they fancy each other like mad; it takes them a bit longer to figure out how to solve some trickier conflicts.
What I'm reading next
Well, now my degree is done, anything I like! Ahahaha.
A Taste of Honey by Rose Lerner just came out and is waiting on my kindle, which is what prompted me to read Listen to the Moon first. From my long-neglected physical to-read pile, I've pulled out The Scientist in the Crib by Alison Gopnik and The Checklist Manifesto by Atul Gawande.
Apart from the specific course content, I have learned:
- I love to learn new things when I actually sit down and do so
- I default to deadline-driven when it comes to other people's deadlines
- but I can manage to do 'a little bit most days' and I'm happier when I manage that
- blocking out specific times to get a little bit done most days works a bit more than 50% of the time
- given the choice between producing 'good-enough' and 'truly excellent' work with 25% more effort ... I will do good-enough work and spend the 25% extra on something else
Now for all the things I have been neglecting for the last few years, especially this last year ...